Monday, June 21, 2021

The Wife and the Widow

The Wife and the Widow
by Christian White


Blurb:
Set against the backdrop of an eerie island town in the dead of winter, The Wife and The Widow is an unsettling thriller told from two perspectives: Kate, a widow whose grief is compounded by what she learns about her dead husband’s secret life; and Abby, an island local whose world is turned upside when she’s forced to confront the evidence of her husband’s guilt. But nothing on this island is quite as it seems, and only when these women come together can they discover the whole story about the men in their lives. Brilliant and beguiling, The Wife and The Widow takes you to a cliff edge and asks the question: how well do we really know the people we love?

My Reaction:
I chose this novel after reading that it had an amazing, unusual twist.  Well, who doesn't love a good twist?!  (...pointedly ignoring people who claim not to love twists...)

To give credit where it's due, there is a surprising twist.  Unlike the person who recommended this book, I don't know that I'd go so far as to say that I've never seen that type of twist before, but it was still unexpected.  

The problem is that I didn't enjoy most of the book.  It was difficult to care much about most of these bland characters, and while I understood their motivations, I found those motivations irritating and unsympathetic, and the whole thing left me cold.  Slightly annoyed, mostly cold.  


SPOILER-Filled Tidbits:
--  The scene between the two teens in the old ferry terminal... Sorry, not what I want to read.  Not by a long shot.

--  John is an idiot.  Why go back and speak to Abby and Eddie about his decision to come forward?  He says he's already decided what he's going to do, with or without them.  He had to know that there was some risk involved.  Abby practically threatened him, even back when he was a teenager.  Did he really think it was a good idea to tell her his intentions and then meet the two of them (as he thought he was doing) in an isolated spot?  What real difference would it have made, talking to them first?  If he'd made up his mind to go to the police, he should've just done it!  But you know what?  Who cares?!  Does any reader honestly care that John was killed?   

--  Never heard of a "she-oak" before this.  Sounds kind of funny, like a folksy way of saying a female oak, if some oaks were male and others female (which apparently they aren't).  "Observe the maternal instinct at work as this she-oak provides a sheltering canopy to protect her precious saplings..."

--  Abby and Ray's discussion just prior to his "confession"... First, she tells him why she can't believe he killed someone, and her reasons include such gems as "because I once saw you weep without shame during an airline ad" and "I've seen you add lavender oil to your bathwater".  Oh, and the dude has been known to laugh insanely at Funniest Home Videos.  (Well, he's human, isn't he?!)  So someone who enjoys the scent of lavender can't possibly be a killer, I guess.  (Again, doesn't almost everyone like lavender?)  To tell the truth, if I see someone weeping without shame during an airline ad, that might be enough to make me doubt their emotional stability!  I'm not saying it's a red flag for murdering tendencies, but it certainly would raise an eyebrow.  

--  During the same conversation as above, Ray admits that he's been worrying that he's unable to provide enough for his family, feels that he's barely keeping his head above water, and sometimes fantasizes about escaping to a different life.  Relatable enough.  Abby asks why he hasn't ever talked to her about those feelings, and he replies, "Come on, Abby, I'm not one of your girlfriends. ... Men aren't like that."  UGH.  (eyeroll, etc., etc.)  Good grief.  I'm really struggling to reconcile Manly-Man Ray who can't talk to his own wife and Touchy-Feeling Ray who enjoys a lavender bath and weeps at sappy commercials.  

--  I'm not a parent, and some people insist that anyone who isn't a parent is incapable of using imagination or the powers of observation to get even the faintest grasp of what it is to be a parent, but working with just the feeble understanding I do possess (another eyeroll for you, here), I can't agree with Ray and Abby's decision to protect their creepy son Eddie from the repercussions of his actions.  Eddie was young.  He was scared.  There was a witness (John) who would have testified to the fact that that man had come in and basically threatened them.  The victim wasn't entirely innocent, and as a minor, Eddie could have been okay.  It's not as though he went on to live a rich, fulfilling life with the knowledge of his guilt hanging over his head, anyway.  Imagine knowing that your parent took the fall for you, at the cost of decades of freedom... It would be crushing.  How could you live with that guilt, even aside from the guilt of the crime you committed?

(Interesting that both this book and the one I last read involved an adult character taking the fall for a crime committed by a younger relative...)  

Monday, June 7, 2021

The Turn of the Key

The Turn of the Key
by Ruth Ware


(Edited) Blurb:
When Rowan Caine applies for a dream position as a nanny, it seems too good to be true.  She's smitten with Heatherbrae House-- by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family.

What she doesn’t know is that she’s stepping into a nightmare-- one that will end with a child dead and herself in prison awaiting trial for murder.  How can she explain the eerie, sinister events that led to this tragedy when she doesn't understand them herself?  She has only herself to rely on as she attempts to untangle the mystery and prove that she is innocent of a terrible crime.

My Reaction:
This novel gets a split ranking from me.  Despite some nitpicks, I'd give the bulk of the book a solid 3.5 or 4 stars for enjoyment value.  The ending, unfortunately, is disappointingly vague and abrupt.  I guess an overall rating of 3 seems fair, but if you can't stand ambiguous endings, give this a pass! 

(Based on some information the author shared with fans after her book's publication, using the process of elimination, you can probably make a decent guess about the main character's fate, but I still found it a dissatisfying conclusion to read.)


Nitpicks (with many, many SPOILERS):
-- I couldn't believe the length of the section of Rowan figuring out how to operate the shower.  Her difficulties with the control panels in general are a little dull and repetitious, and her embarrassment over speaking instructions to "Happy" is slightly absurd.  Was Alexa really that new-fangled in 2017? ...Okay, I looked it up, and Alexa's general release was in mid-2015.  Yes, maybe it feels a little strange to speak to a computer the first few times, but I still think it's overplayed in this novel.  It's not that embarrassing to do, especially when there's no-one else around.  

--  Another example of the above: "Was I going insane, talking aloud to a household appliance?"  Yes, Rowan, your marbles are well and truly lost.  Hey, I talk to appliances and other inanimate objects all the time, and they aren't even "smart".  I'm a little quirky, but definitely not insane.  (I am, however, irritated by the boring trope of "Oh, gosh, you must be mad, talking to yourself!")

-- There's a silly scene where Rowan removes her blouse to clean off some oatmeal, and the handyman accidentally walks in on her and sees her topless.  As in completely topless.  But... Would any woman really attend an interview for a nannying position wearing a thin silk blouse and no bra?!  It's just a weird fashion choice.  It was totally unnecessary, too, because surely it would be embarrassing to have a stranger unexpectedly see you in just your bra.  Wouldn't that be enough?  

-- At some point, I forgot that all of this is supposed to be a letter Rowan is writing from prison to a lawyer she hopes to convince to represent her in her murder trial.  When she next addressed him by name, it was jarring.  I'm familiar with this type of framing device-- and a certain amount of this type of thing is only to be expected-- but it is rather awkward and ridiculous when a character somehow remembers entire conversations from weeks/months ago and includes tedious, irrelevant events in detail.  This doesn't feel like a letter.  (The long account of her attempt to have a shower becomes even more bizarre when you consider that she wrote all of that to the lawyer!)

-- It requires a powerful suspension of disbelief to accept that Sandra, the doting and tech-savvy mother, would not Google her prospective nanny and scope out her social media.  I guess she just trusted the background check and references, but it's odd.  Teenaged Rhiannon managed to suss out the truth easily enough, and it doesn't seem like it was that difficult to realize that something didn't add up.  Rowan/Rachel's take on the situation?  "But truthfully, it had never occurred to me that anyone would join the dots so assiduously."  Hm.  

-- Ugh, the sex scene as written by Rowan/Rachel to the lawyer... So, so embarrassing!  "--I can't write this to you.  I can't write this but I can't stop remembering it.  I don't know how to stop."  Ow, the cringing!  Just write, "One thing led to another, and yada yada yada, I got up and left after he fell asleep."  

--  I have to admit, I never saw the major twists coming.  Definitely didn't guess that Bill was Rowan/Rachel's father, and it never crossed my mind that she was lying about her identity, either.  I assumed that Maddie fell off the roof while on her way to the window to the attic, so I didn't get that quite right, either.  

--  Call me callous, but it didn't make sense for Rowan/Rachel to keep Ellie's secret.  Ellie is a child.  She wouldn't be punished, as such.  Instead, she'd get some much-needed help and therapy.  Her life wouldn't be ruined any more than it already will be.  She knows what she did-- there's no escaping that-- and when she's old enough, she'll realize that it was also her fault that Rowan/Rachel went to prison and could have been convicted of a crime she didn't commit.  

--  Would it really be possible for Ellie's letter to reach Rowan/Rachel sealed and unread?  Don't they screen prisoners' mail?  Argh!  If that's the case, this ending makes no sense!  (And that's basically how I feel about the ending, in a nutshell.  It makes no sense.  Oh well!)